Watch One Night Paris Free

Cogno

COGNE ART

Contemplating my exterior appears deep night sky where the stars color points give the appearance of diamond as a laser point sources, the moonbeams mixed with the darkness offering a scenario object flourishing for the synthesis light-dark, the sun radiating light and heat, occasionally looking at the sea horizon is lost in casting their tireless singing low notes mixture sometimes waves and howling wind, the rocks of strange shapes or body my wife naked, just contemplate, contemplation hypnotic litanies of the cosmos, wonderful, dazzling fantasy, poetic. More

are suddenly invaded by reason, by awareness of the entity, for the thing or phenomenon that captivated us, reason is the awareness of "why" of the parties, and geometric dimensions their colors, all reminiscent of the republic of boredom. Withdraw our eyes and return to the search for other new wonders for me, although they are old perhaps forgotten for others, as about things that impressed me long ago made an impression on others than just discovered, it seems absurd momentum of expectation that disparagingly note, I wonder what else makes them shine their eyes to that thing and dismissed by my look? I find no explanation, I am amazed by the look alienated from the "others" who usually like to see storefronts and stay as engrossed, aesthetic taste that haunts me to see this, the film has this power to the viewer to a third person from what he happens to others is the essence and magic of theater film show high speed.

dance, social dance and smiles delicious dizzy spell, all changes of intensity, the brighter the color is all around me, things are light, perhaps including my body floating in the ocean sounds and feeling sensations heightened by the proximity of another body next to mine, I forget everything, I lose consciousness of the past and the future all is delight, latent frenzy The minutes pass without feeling the dimension of time ... .. Suddenly things begin to return to the site, the strong ebb tide, thick dark pleasure with the color of darkness, it does not come to an end but yet I'm semi consciousness invaded while floating slightly above the floor the awareness of knowing what is happening almost caught me, I am reluctant to dive back in the fumes of pleasure but something interrupts, disenchantment paralyzes us. The reason for making me a prisoner to some extent still dazzled for sugar at the time. But I already entered my consciousness to be dominated as things around me and not even light so bright, it is rational, sober. Drunkenness became momentarily emotional ... the reason and conscience prevailed.

The futurist movement early last century, argues that the vertigo especially the speed is the underlying feeling that moves man, vertigo produced in their bodies to seduce the mind to believe such a truth. The emotion that your sports team wins that much emotion and time deposit or surreality experienced at the time of marriage is impossible to "reasonable" at that time unless simulation, these churches in order to display the object about the transition between awareness and unconsciousness called vital art complex also has nothing to do with academics but with the events of everyday life.

Sobriety is the unmistakable sign of rational wisdom, which is indicative of the apparent reason for the errors are "missing". When there are the strong emotions and not being sober, stage nervous, anxious concern, as imported natural banned by the sober, break many supporters of the "height of his powers" face of the imbalance, nervousness is part of the illness of the body in the presence of other human, ultimately disrupting the calm waters of consciousness. Thus the authority paradigm of sobriety on neurosis, neurosis not being the person ceases to act as low knowledge neurosis is not the direct cause of alienation of intellect to the contrary is a transformation of reason which is unable to act in sympathy with the knowledge if not why not have its principal essence: knowledge, no reason this would be naked, cold gnosis, schematic, square and twisted, totally phlegmatic. So perfect reason to be confused with injustice because that entity is the owner of madness, contrast end of sober reason but the madness works with knowledge and consistency in relation to this, in cases of good and evil fools, madmen remains some degree of sense but not the nutters, and incurable. What to do with this body that is crazy, navigating in the realm of metaphysics and absolute? Classified into madness just because you can no longer more. We are therefore faced with a human body not only see ghosts and matter, the immediate objective itself, but not the distant goal as the people do sober. That is a madman? You just need to be crazy to understand. Vincent Van Gogh wrote "Letters from Madness" and illustrates the lucidity of a mental disorder that creates pieces of art that are worth millions of dollars for the current sober. example of a combination of madness and sanity of Van Gogh and the owners of his work as museums leading the civilized world.

There is only one step between sanity and insanity, paradoxically, there can be no separation between the two, certainly would be canceled because it is a form of reference other. Undoubtedly, the madness is not right, however the reason we would know without the madness, one depends on the other are the raison d'etre of the two differ, however, irrelevant. Madness inconsistency but the inconsistency does not accompany every moment in our sobriety, a kind of insanity in the sanity inconsistent state of knowledge, which guides our actions as sober are the passions that cause the change of address individual situations due to possible targets is impossible but many in the region there of incoherence.

After all we are what we see with delight and admiration, not what we neglect, refuse or hate the interior aesthetic trend is confirmed in this way, so our view is reading the fine art of nature, it can be unpleasant or pleasant as it can not exist without each other in both aesthetics concerning the cosmogony contained in body fluids inhabitants of our flesh. Aesthetics in a hierarchical social scale by categorizing the ways of the world drifting in classes are classes rather aesthetic, these are layers of metaphorical art because the idea of \u200b\u200bLow and High is key to aesthetic differentiation for all humans generate self-awareness to be as high, perhaps a kind of aristocratic self-understanding, the struggle of this kind takes place in the arena of the irony of one class against another to conquer the enemy unconscious and was on the hegemonic other and remain in a state of legitimacy of height, as "beautiful." By far the feminine view is decisive, there is a saying that "Man goes to where the woman wants to" widely used by conservative people to the extent that calls the guilty to the perception of women in the land ethic of sins being the ladies the cause of temptation to sin, in order to be taken up this issue but not understanding how conservative but vital synthesis of the mass of bodies that interact passionate and aesthetically all the time. "Foolish men who accuse women" are also the men whose aesthetic look to the ladies qualify according to their behavior on the "Ugly and the Beautiful." Well at the end become generic aesthetic and operates the deterministic hierarchy undoubtedly force the female viewpoint is vital in this process each place it in "their place" including themselves, a true art "Naif" Proof of this is seen in the dispute be played on a "beautiful" because of the passion to transcend bodily ambitious, thus meeting the aristocratic model of extreme self-centered in most cases but not in all cases in women because there is a severe resistance to this drive over a minority however. The Don Juan can not exist without the approval of the female aesthetic, as they reflect on itself. Social strata body shapes placed in classes "Nice" or "ugly" fundamental archetypes that promote the accumulation of wealth or monetary poverty in each class aesthetic.

in class bodies attract each other forming clusters that then form classes, the female viewpoint is decisive in this respect because he projects the classification body in a strict way, we can observe in the classroom "average" as his speech focuses on the genealogy of the ancestry and descendants expressing range of aesthetic identity, a name which means "beauty" semantic class "beautiful" and tastes good morals and ethics, the art "Kish" such awareness is likely to represent "unconscious." dominant human relationships that are ultimately relations of art. A variable of collective madness in the context of sober reason and certainly realistic. Can not be otherwise. From this relation we conclude that the predominance of aristocratic well-practiced art of modernity and postmodernity, the heritage of medieval ideological behavior. The theological expression of the human body is well represented in graphic imagery in oil by the Renaissance painters where they recreated the view above. Returning Figures that appear on the Divine Comedy by Alighieri text draws the celestial hierarchy as representing aesthetics, the virgins are described with elongated body "lean", long hands and "artistic" almond-shaped face, big bright eyes, thin lips, hair long, straight, sober and elegant gowns, beautiful choral groups singing in joy. The tall, long blond hair in body position certainly aristocratic authority with direct causal magical powers of miracles, a whole vision of religious art which reflects the sense of art even today majority. On the other hand is described hell beings "ugly" faces rough and coarse features, horns, hairy bodies, often fat curly hair generally stout and bizarre figures as an expression of the kingdom of darkness inhabited by lay men who engaged in any of the seven deadly sins, cries of anger and offensive and as a cry of pain between sulphurous fumes, foul waters that flow boiling., in short the world ugly and beautiful it is in heaven. More or less the aesthetics expressed in the Renaissance, which comes from the imagery of the aristocracy of the royal court, especially of the dynasties of the East, Ferrara, Borgia, Sforza, etc. Many Catholic semiotics is direct playback objects belonging to the elegance of the feudal lords, that is, are the cultural figure who adopts such a scenario incorporating Catholicism to the rites divine far away from the austere way of life brought by Christ, the Holy Grail is the cup divine answers medieval glasses used by the king and his court, in addition to fighting evil traditions such as the Tree of Lies and all sorts of magic tricks which is plagued medieval religion emerged.

religion is precisely the expression of art where all kinds of knowledge converge highlighting the demonstrable and provable knowledge, knowledge is presented as semiotic objects Sacred speeches and answering the collective imagery aspires to aristocratic aesthetic. Indeed "sacred" is the knowledge of "beyond" and semiotic artifacts are materialized in the immaterial world. Sacred art is the composition of two elements, the subject is art and its predicate is the dimension of metaphysical reasoning called knowledge of this mysterious and magical, rational or irrational knowledge but knowledge in the end. Sacred knowledge which formally acquired knowledge structure where flow sober spiritual powers but unprovable by conventional means used by rationalism.

predicates acquire art of "branding" through the qualifying adjective in this case Sacro which in turn is the classification of a particular aesthetic aesthetic layer, such syntax is applicable to all types of art including art can be technical. Conventionally

Art means "set of precepts to do good thing" from the Latin Artis, translation from a Greek word that apparently is Technos whose Latin translation is meaning Ars Artis Skill or art Castilian. Art is art because it fits the body of knowledge to do something well, classification of skills is reflected in the type of art. Technos means making a break occurring substance in the child's body, seems to me that means the world virginal very different quadrature adult wing, but it is noteworthy that men considered classics of children as small adults had to be sweetened in shares joy (school), perhaps the example of Charles Dodgson when he held talks with girls between 4 and 7 years old could gradually make speeches children femeninizados yet, it held that the 8 years and girls took on the attitudes of women, achieved produce the text of "Alice in Wonderland", perhaps that was in understanding the childishness in the ancient Greek Technos Does creation for modern intellect?. Technique is the term used to describe a set of activities and tools in the field of the call Mecamática, associated with the production of iron tools, space development is the factory ship called either metal or other material and contains a section of fire inside to melt iron, this experience led plastic in the classification of a type of ancient man "Homo Faber" action to be made by way of metaphor. Is added this entity called manufacturing industry, the term as synonymous with kinetics which in turn implies movement, word was linked to the moving picture nomination as Film. The overall technical has been considered in the field of mecamática, apparently being abysmally different plastic art, however corresponds to the definition of art being the ability as part of obligation to do something well, technical is undoubtedly molded plastic art as natural elements and structures which also includes explanations recently mathematised natural processes including those reproduced by the method of artificiality. Such an inference appeals to conclude that every action of man is visual art there is no separation between art and technology, art is art itself that responds to the knowledge logically structured, resulting in works of art such as skyscrapers, space rockets, fractal automobiles, in the case of the latter are works of art that are in motion, each piece created by man is art, so art separation technique is absurd, probably dictated and imposed by the seventeenth century scientific bureaucracy in birth of the modern world. Art

extending the body's extremities, plasticizing the human body beyond its scope limited to body size, body art in general is because it extends. The plasticization of body shape is based on knowledge of the attributes phenotype, genotype and all its attributes, ie information emitted by the body as a means of information, any sensation and feeling is detectable and information processable by the system poetic fusion of madness and sanity. Art knowledge is only the classification of the plastic nature for the information it gives to the intellect, the mind gives consistency, yet those most up the vital provisions of the fusion complex logical and illogical in the context of reality "the reality is all that we should" irrational whims of the body which contains a good dose of absurdity, the art technology to meet the pleasure that the body requires non-stop sense is pointing to feed the appetites of selfish hedonism, so our life is composed of the logic "positive reason" and caprice "negative right" that originates in the aesthetic vision aesthetic class consists of many variables as the number of men who make up such aesthetics class ..

knowledge Art is logical or illogical semi particularly inconsistent, as in the case of the plastic body in the field of dance using body movement explains the feeling-idea using unintelligible to the viewer moves and others that if are imitations of some body positions symptomatic of love or other feelings in some cases incorporating animals among which birds during the execution of the message via the lenguje of dance, but there are other movement of the legs and arms back not have a "logical move," "spontaneous" as it responds to tones and speeds of bars of music, otherwise it would be a movement in criticism and in coded, solid, unchanged, however makes up the general phenomenon known as dance and delicious.

In the field of plastic split into trend pictorial figurative and non-figurative, the figurative meaning that plays everyday topics already registered on our memory and made the body such as landscapes, faces, bodies generally applies the rational view to the extent that it is more accurate reproduction of figure built our particular aesthetic experience, while in the abstract or conceptual art, the matter becomes irrational in the sense that it tries to express a concept that does not exist in the plastic nature that would save our memory more objectified dreams experienced during wakefulness or sleep properly singular sometimes surprisingly similar to the figure constructed by the artist or by the technician when designing a product and We dreamed of the latter has nothing to do with the plastic arts of painting even if it corresponds to the same explanation. The sculpture contains the same situation as the paint on the conceptual and figurative, in the non-figurative immediate logic disappears and many mediate times it is irrational production that often exceeds any ability to rationalize it as if God alone can be addressed by the irrational sphere because this is beyond logical reason. Once again takes up the vital complex transiting body art called madness and sanity.

Today "advertising" is visual art by 98% figurative invades all areas of the city and much of the countryside, as art that responds to the knowledge of "taste" of the mass public, based on clever art color combinations of the harmony of colors captured by the harmony of consciousness and unconsciousness aesthetic class. Another variable is the art of music and sound art recorded conversations electrical means.