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Creation, poetry

CREATION

... POETRY

Hearing a melody in a language other than everyday, no less pleasant or delight Why Why, if not we understand? . In our time is English which is more present in our Eustachian tubes. We read with the ear piece sound ... ... "are so beautiful that almost understand. " It happens that we are perceiving a versed in the vocal and in instrumental that definitely indicates a definite rhythm and melody composed of silent pauses and sounds. The music industry is the large presence of foreign poetic tropes in our daily lives, large complex composed of the sounds emitted by the television that covers all genres with techniques of monologues and dialogues, we also have inherent internal poetic tropes each personality or taste, is our own poetic mindset that sets us apart from the "other" components musicians poetic structures sound but we who are producing the melody as the acceptance of the "outside" is working because our interior poetic.

The musical form through the centuries became the "rhetoric" associated exclusively to the voice, the music alone was reduced to "it": the music. Oral rhetoric joined the musical rules of speech incorporating monolithic, essentially building epic figures, about social events extraneous to the individualization and individualism as we know it today was practiced by minority sectors the original cultures of Europe, especially the Hellenic peoples. However there was lesser extent gender as Anacreon Lyric. In general, the rhetoric had its central axis Academy method continued by Christ in his preaching is divine rhetoric terrenalizó via Apostolic Academy. The issue of transformation through centuries is abundant but certainly the rhetoric remained next to the kings so epic and function meet in the discourse of Christ. Coming to the Renaissance Petrarch addressed his sonnets in the lyric poem Laura, consolidating the presence of the dimension of the second instance in terms of discourse semantics. It appears the era of self-centeredness (today) that replaces the lyrical poetry mostly epic. The individual is leading to dramatic love it occupies the foreground of the human scene, especially she forges a devastating category alienating function in relation to the poetic construction of the world: The Reason.

Lautremont Count anarchist starting the surrealist movement which took nearly two centuries to free verse ruining the rhetoric "poetic" opening the door to freedom in the creative images Virtual governed by the figures of speech metaphor essentially changing the logical value of prayer.

Poetry is itself thought, irrespective of algebraic techniques applied to written discourse, this does not synonymous with the art of poetry, that is the general thinking is the poetry, the reason does not exist as such, only a different name poetic construction, and that poiesis is the origin or source.

Eduardo Nunez Becu

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